BIOGRAPHY
Ian Kevin Curtis (15 July 1956 Ð 18 May 1980) was the vocalist and lyricist of the band Joy Division, which he joined in 1976.
Years after his death, critics and fans continue to write and discuss at length Curtis's music, possible motivations and inspirations. News of his suicide in 1980 spurred many rumours, further accelerating interest in his work and troubled life.
Curtis was born in the Memorial Hospital, Old Trafford, Manchester, in 1956. He grew up in the Hurdsfield area of Macclesfield and from a young age he exhibited talent as a poet. Although awarded a scholarship to attend the The King's School, Macclesfield, at the age of 11, Curtis never pursued academic success. As he grew older, his ambitions and hopes became focused on a pursuit of art and literature, eventually culminating in music. Curtis served as a civil servant in Manchester and later in Macclesfield.
He was influenced by the writers William Burroughs, J. G. Ballard and Joseph Conrad (the song titles "Interzone", "Atrocity Exhibition", and "Colony" coming from the three authors, respectively), and by the musicians David Bowie and Iggy Pop.
Curtis married his girlfriend Deborah Woodruff in 1975, while they both were still teenagers. They had one child, Natalie (born 16 April 1979). Curtis had a lover, Belgian journalist Annik Honore, whom he met after a concert in an interview.
In 1976, Curtis convinced himself his destiny was as a performer. He eventually met two young musicians, Bernard Sumner and Peter Hook. Sumner and Hook mentioned to him they were trying to form a band and he immediately put himself forward as a vocalist and lyricist. The three of them recruited and sacked a succession of drummers before settling on Stephen Morris as their final member. Initially, the band was called Warsaw before changing its name to Joy Division in 1978, due to conflicts with the name of another band, Warsaw Pakt. The name "Joy Division" stemmed from the sexual slavery wing of a Nazi concentration camp in the 1955 novel The House of Dolls.
After starting up Factory Records with Alan Erasmus, Tony Wilson "signed" the band to his label (although no contracts were ever signed, despite the apocryphal tale of Wilson signing a contract in his own blood. This myth first emerged in 2002 from Wilson himself in the run up to the release of 24 Hour Party People, where the scene is also portrayed.)
While performing for Joy Division, Curtis became known for his quiet and awkward demeanor, as well as a unique dancing style reminiscent of the epileptic seizures he experienced, sometimes even on stage. The resemblance was such that audience members were sometimes uncertain if Curtis was dancing or having a seizure; there were several incidents where he collapsed and had to be helped off stage.
Many of Curtis's writings were filled with imagery of emotional isolation, death, alienation, and urban degeneration. He once commented in an interview that he wrote about "the different ways different people can cope with certain problems, how they might or might not adapt". He sang in a bass-baritone voice, in contrast to his speaking voice, which was higher pitched. Joy Division had its recorded style developed by producer Martin Hannett, with some of their most innovative work being created in Strawberry Studios in Stockport (owned by Manchester act 10cc) and Cargo Recording Studios Rochdale in 1979, a studio which was developed from John Peel investing money into the music business in Rochdale.
Although predominantly a vocalist, Curtis also played guitar on a handful of tracks (usually when Bernard Sumner was playing synthesizer; "Incubation" was a rare case where both played guitar). At first Curtis played Sumner's Shergold Masquerader, but in September 1979 he acquired his own guitar, a Vox Phantom Special VI (often described incorrectly as a Teardrop or ordinary Phantom model) which had many built-in effects which were exploited both live and in the studio by Martin Hannett. After Curtis died, Sumner inherited the guitar, and it was used in several early New Order songs, such as "Everything's Gone Green".
Curtis' last live performance was on 2 May 1980 at Birmingham University, a show that included Joy Division's first and only performance of the song "Ceremony", later recorded by New Order and released as their first single. The last song Curtis performed on stage was "Digital". The recording of this performance can be found on the compilation album Still.
In the early hours of Sunday, 18 May 1980, in his kitchen after having viewed Werner Herzog's film Stroszek and listening to Iggy Pop's The Idiot, Curtis hung himself. Many rumours surround the possible reasons for his suicide, with his poor health (due to the drugs he was having to take for his epilepsy, an exhausting performing schedule and related epilepsy problems) and failed marriage most often suggested. He was 23 years old.
Tony Wilson speaking about the death said, "I'd been warned on a train to London two weeks earlier by Annik [Honore, Curtis' lover]. I asked her, 'What do you think of the new album.' She goes, 'I'm terrified.' I said, 'What are you terrified of?' She replies, 'Don't you understand? He means it.' And I go, 'No, he doesn't mean it - it's art.' And guess what? He fucking meant it."
Curtis was cremated, and his ashes were buried in Macclesfield Cemetery. The inscription on his memorial stone, "Love Will Tear Us Apart", was chosen by Deborah Curtis, and is a reference to the Joy Division song.
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